Prem·ise 52
prem·ise
·an assertion or proposition which forms the basis for a work or theory
Prem·ises
can a video be in focus but with an ambiguous context while another video is out of focus but the context is obvious?
if each video is never shown fullscreen, but all portions are revealed over time, how does the viewer mentally reassemble the parts?
what is the difference between a window and a screen in terms of framing, filtering and separation?
can videos cancel each other out – visually and/or conceptually?
can the spectacular become mundane?
can the psychological aspects of time be depicted?
is classically beautiful imagery always cliché?
through simple means, can the mundane become strange?
through simple means, can the mundane become strange?
what happens to the body if time is shattered?
suggested by Catherine Telford-Keogh
is it possible to break footage?
can you honour thy error as a hidden intention?
from Brian Eno’s Oblique Strategies - suggested by Lee Henderson
can imagery be unreliable?
what does speed do to imagery?
can a video be a palindrome without being immediately obvious?
suggested by John Dickson
can dark not be somber?
can the emotional tone of the final video be different from that depicted in the footage?
suggested by Lena Rye
can time collapse in on itself?